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17922 Results

  • P2017-016

    Bailey, Suzanne. Review of Meredith, “The Book Collector’s Dilemma: A Browning Version.” Victorian Poetry, 55 (Fall 2017), 358–359.

  • P2017-017

    Bailey, Suzanne. Review of Polesiak, “Jean Louise to the Dark Tower Came.” Victorian Poetry, 55 (Fall 2017), 371–372.

  • P2017-018

    Bailey, Suzanne. Review of Prins, “What Is Historical Poetics?” Victorian Poetry, 55 (Fall 2017), 360.

  • P2017-019

    Bailey, Suzanne. Review of Ratcliffe, “Trouble with Feeling Now: Thomas Woolner, Robert Browning, and the Touching Case of Constance and Arthur.” Victorian Poetry, 55 (Fall 2017), 354.

  • P2017-020

    Bailey, Suzanne. Review of Ricks, “Denoted by the Character З.” Victorian Poetry, 55 (Fall 2017), 372.

  • P2017-021

    Bailey, Suzanne. Review of Sider, “Dramatic Monologue, Public Address, and the Ends of Character.” Victorian Poetry, 55 (Fall 2017), 364–365.

  • P2017-022

    Bailey, Suzanne. Review of Stolte, “‘The Infinite within the Finite’: Victorian Prosody and Orthodox Theories of Mind.” Victorian Poetry, 55 (Fall 2017), 362–363.

  • P2017-023

    Bailey, Suzanne. Review of Suzuki, “‘What was all this except the lesson of life?’: Browning’s Fifine at the Fair and Shelley.” Victorian Poetry, 55 (Fall 2017), 369–370.

  • P2017-024

    Bailey, Suzanne. Review of Taher-Kermani, “‘A Thin Disguise’: On Robert Browning’s Ferishtah’s Fancies.” Victorian Poetry, 55 (Fall 2017), 356–357.

  • P2017-025

    Bailey, Suzanne. Review of Tucker, “Shock Troupers: Browning, Bidart, and the Drama of Prosody.” Victorian Poetry, 55 (Fall 2017), 360–361.

  • P2017-026

    Bailey, Suzanne. Review of Tucker, “Unsettled Scores: Meter and Play in Two Music Poems by Browning.” Victorian Poetry, 55 (Fall 2017), 361–362.

  • P2017-027

    Bailey, Suzanne. Review of Wong, “Town Talk and the Cause Célèbre of Robert Browning’s The Ring and the Book.” Victorian Poetry, 55 (Fall 2017), 367–368.

  • P2017-028

    Bailey, Suzanne. Review of Woolford, “Error and Erasure in Browning’s The Ring and the Book.” Victorian Poetry, 55 (Fall 2017), 370–371.

  • P2017-029

    Bailey, Suzanne. Review of Yeates, “‘A slave kept in Leyland’s back parlour’: The Male Artist in the Victorian Marketplace.” Victorian Poetry, 55 (Fall 2017), 354–355.

  • P2017-030

    Barton, Anna. Nineteenth-Century Poetry and Liberal Thought: Forms of Freedom. London: Palgrave Macmillan, 2017, pp. x + 257. § See chapters 2, 4, and 5.

  • P2017-031

    Batchelor, John. Review of Martens, The Poetry of Robert Browning. Modern Language Review, 112 (October 2017), 992–994.

  • P2017-032

    Billington, Josie. Review of Hair, Fresh Strange Music: Elizabeth Barrett Browning’s Language. Review of English Studies, 68 (February 2017), 190–192.

  • P2017-033

    The Browning Society Newsletter. 2 (March 2017).

  • P2017-033.5

    Cadwallader, Jan and Laurence W. Mazzeno, ed. Teaching Victorian Literature in the Twenty-first Century: a Guide to Pedagogy. Cham, Switzerland: Palgrave Macmillan, 2017. § Includes references to EBB’s “A Musical Instrument” and Aurora Leigh; and RB’s “Bishop Blougram’s Apology,” “Home-Thoughts, from the Sea,” “Mr. Sludge,  ‘The Medium’,” “My Last Duchess,” “ Porphyria’s Lover,” and “Soliloquy of the Spanish Cloister.”

  • P2017-034

    Caldwell, Janis McLarren. “Observing the Dead in Michael Field’s Ekphrastic Poetry.” Victorian Poetry, 55 (Summer 2017), 189–210.

  • P2017-035

    Clarke, Laura H. “Gathering Sense from Song: Robert Browning and the Romantic Epistemology of Music.” Victorian Poetry, 55 (Winter 2017), 471–494.

  • P2017-036

    Clarke, Laura H. “Where the Epic Meets the Novel: The Double Narrative of Sordello and Robert Browning’s Historical Theory of Poetry.” Clio, 46 (Spring 2017), 131–154.

  • P2017-037

    Claro, Andrés. “Poetic Image and Metaphysical Conception: Three Figures of the Literary Predecessors and Three Configurations of the Real.” The New Centennial Review, 17 (Spring 2017), 163–208. § Includes discussion of Ezra Pound’s relationship to RB.

  • P2017-038

    Crowder, Ashby Bland. “An Italian Person of Quality Indeed!” Romanian Journal of English Studies, 14 (2017), 8–13. § Maintains that RB’s “Up at a Villa—Down in the City” is a dramatic monologue.

  • P2017-039

    Drury, Annmarie. Review of Chapman, Networking the Nation: British and American Women’s Poetry and Italy, 1840–1870. Victorian Studies, 59 (Spring 2017), 528–529.

  • P2017-039.5

    Dyck, Denae and Marjorie Stone. “The ‘Sensation’ of Elizabeth Barrett Browning’s Poems before Congress (1860): Events, Politics, Reception.” Branch (July 2017).

  • P2017-040

    Erchinger, Philipp. “Reading Experience: William James and Robert Browning.” Journal of Literary Theory, 11 (August 2017), 162–182.

  • P2017-041

    Fashbaugh, Martin. “The Most ‘Novelistic’ and Lyrical of Emotions: Jealousy and Narrative-Poetic Interplay in Robert Browning’s ‘Andrea del Sarto’.” Poetica, 87 (2017), 97–113.

  • P2017-042

    Finnerty, Páraic. “‘If fame belonged to me, I could not escape her’: Dickinson and the Poetics of Celebrity.” The Emily Dickinson Journal, 26:2 (2017), 25–50.

  • P2017-043

    Garrard, Suz. “Manufacturing Selves: The Poetics of Self-representation and Identity in the Poetry of Three ‘factory-girls’, 1840–1882.” Ph.D. thesis, University of St. Andrews, 2017. § Chapter 1 includes discussion of “reform texts” by EBB and others.

17922 results
17922 Results