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17922 results
17922 Results

  • P2016-010

    Bailey, Suzanne. Review of Loose, “Blended Selves and the Spectacle of Subjection in Browning’s ‘Andrea del Sarto.’” Victorian Poetry, 54 (Fall 2016), 358.

  • P2016-011

    Bailey, Suzanne. Review of Pearson, Victorian Writers and the Stage: The Plays of Dickens, Browning, Collins and Tennyson. Victorian Poetry, 54 (Fall 2016), 347–349.

  • P2016-012

    Bailey, Suzanne. Review of Prins, “Translating Tragedy: Robert Browning’s Greek Decade.” Victorian Poetry, 54 (Fall 2016), 349–350.

  • P2016-013

    Bailey, Suzanne. Review of Rigg, “Augusta Webster, Dramatic Forms, and the Religious Aesthetic of Robert Browning’s The Ring and the Book.” Victorian Poetry, 54 (Fall 2016), 358–359.

  • P2016-014

    Bailey, Suzanne. Review of Roberts, “Chance, Providence, and Imperial Ennui in Alfred Domett’s Ranolf and Amohia: A South-Sea Day-Dream.” Victorian Poetry, 54 (Fall 2016), 361–362.

  • P2016-015

    Bailey, Suzanne. Review of Stergiopoulou, “‘And a Good Job’: Elektrifying English at St. Elizabeth’s.” Victorian Poetry, 54 (Fall 2016), 362.

  • P2016-016

    Bailey, Suzanne. Review of Taft, “Skepticism and the Dramatic Monologue: Webster against Browning.” Victorian Poetry, 54 (Fall 2016), 359–360.

  • P2016-017

    Bailey, Suzanne. Review of Young, “‘Yours Sincerely, Lois Weber’: Hypocrites and the Allegorical Mode of the Transitional Feature Film.” Victorian Poetry, 54 (Fall 2016), 362–363.

  • P2016-018

    Barnes, Mollie. “Historical Imagination in Elizabeth Barrett Browning’s Casa Guidi Windows.” Victorian Poetry, 54 (Spring 2016), 39–65.

  • P2016-019

    Barton, Anna. “Byron, Barrett Browning and the Organization of Light.” Romanticism, 22 (October 2016), 289–298.

  • P2016-020

    Basbanes, Nicholas A. “A Passion for Romantics.” Fine Books and Collections, 14 (Winter 2016), 9–10.

  • P2016-021

    Beckham, Arden. “Stories in Stained Glass: The Armstrong Browning Library.” Stained Glass, 3 (Fall 2016), 33–37.

  • P2016-022

    Bernhard Jackson, Emily. Review of Hair, Fresh Strange Music: Elizabeth Barrett Browning’s Language. Times Literary Supplement, 11 April 2016, p. 11.

  • P2016-023

    Blewitt, Sarah Emily. “Hidden Mothers and Poetic Pregnancy in Women’s Writing (1818–Present Day).” Ph.D. thesis, Cardiff Univ., 2016.

  • P2016-024

    Bonnick, Ronald A. Rooms Without Doors: A Historical Glimpse into the Family of Elizabeth Barrett Browning. Bloomington, Indiana: Xlibris, 2016, pp. xviii + 207.

  • P2016-025

    Boos, Florence S. “‘Let Me Count the Ways’: Teaching the Many-Faceted Aurora Leigh.” Pedagogy, 16 (2016), 333–345.

  • P2016-026

    Brotton, Melissa J. “‘Lost angel in the earth’: Ecotheodicy in Elizabeth Barrett Browning’s ‘A Drama of Exile.’” Ecotheology in the Humanities: An Interdisciplinary Approach to Understanding the Divine and Nature. Edited by Melissa J. Brotton. Lanham, Maryland: Lexington Books, 2016 (pp. 209–227).

  • P2016-027

    Brown, Daniel. Representing Realists in Victorian Literature and Criticism. New York: Palgrave Macmillan, 2016. § Discusses “Andrea del Sarto,” “Fra Lippo Lippi,” and “Pictor Ignotus” in a section of chapter 4 entitled “Browning, Realism and the ‘Painter Poems.’” Chapter 3 focuses on EBB’s Aurora Leigh.

  • P2016-028

    Browning, E.B. How Do I Love Thee? Illustrated by Mati McDonough. Petaluma, California: Cameron + Company, 2016, pp. 32.

  • P2016-029

    Browning, R. The Pied Piper of Hamelin, Poem by Robert Browning. Illustrated by James Nathan. Oxford: Oxford Univ. Press, 2016, pp. 32.

  • P2016-030

    Browning, R. Robert Browning on Love. Edited by Stephen Brennan. New York: Skyhorse Publishing, 2016, pp. 165.

  • P2016-031

    Cheeke, Stephen. Transfiguration: The Religion of Art in Nineteenth-Century Literature Before Aestheticism. Oxford: Oxford Univ. Press, 2016. § See chapter 3: “Browning and the Problem of Raphael.”

  • P2016-032

    Cordner, Sheila. Education in Nineteenth-Century British Literature: Exclusion as Innovation. London and New York: Routledge, 2016, pp. x +162. § See chapter 3, “Radical Education in Aurora Leigh.”

  • P2016-033

    Dawson, Clara. Review of Billington and Davis, Elizabeth Barrett Browning. Notes and Queries, 63 (June 2016), 318–319.

  • P2016-034

    Dawson, Clara. Review of Hair, Fresh Strange Music: Elizabeth Barrett Browning’s Language. Victorian Review, 42 (Spring 2016), 191–193.

  • P2016-035

    Gazzaniga, Andrea. “‘This Close Room’: Elizabeth Barrett’s Proximal Poetics in Sonnets from the Portuguese.” Victorian Poetry, 54 (Spring 2016), 67–92.

  • P2016-036

    Glazener, Nancy. Literature in the Making: A History of U.S. Literary Culture in the Long Nineteenth Century. New York: Oxford Univ. Press, 2016, pp. xi + 328. § See pp. 136–148 for “The Browning Society in the United States.”

  • P2016-037

    González-Rivas Fernández, Ana. “La biblioteaca latina de Elizabeth Barrett Browning: una aproximación historiográfica.” Ágora, Estudos Clássicos em Debate, 18 (2016), 269–299.

  • P2016-038

    Gordon, Sharon Rosamunde. “Representations of Feminist and Lesbian Consciousness and the Use of Subversive Strategies in Selected Poetry of Isabella Jane Blagden (1817–1873).” Ph.D. thesis, Edinburgh Napier Univ., 2016.

  • P2016-039

    Greenaway, Vicky. “Robert Browning, ‘Sculptor & Poet.’” 19: Interdisciplinary Studies in the Long Nineteenth Century, 22 (2016), 1–16.

17922 results
17922 Results